Six newsreel items 'behind the scenes' at the allied forces during the First World War.
Reportage about Army Day During the spectacular Army Day, soldiers in sportswear show their stuff in a stadium. Marching, hurdles, tug of war, and equestrian events are on the programme. There is also...
Five newsreel items about the First World War in France, Russia, Italy and on the Eastern Front.
Compilatiefilm met filmfragmenten uit 1910 tot 1930 over mode, kleding, beweging en pose.
Advertising film for KLM This film advertises for KLM in various ways: a businessman misses the train, and hurries himself through Amsterdam's busy downtown traffic - the noise of the Leidsestraat is ...
Short reportage about the consequences of the First World War in North-West France. Images of demolished houses, inimical graves, trences, repair work and soldiers.
Four newsreel items related to the First World War, under which the arrival of shipwrecked of the torpedoed Dutch steamship 'Blommersdijk'.
Footage shot from the steam tram, along the Amsterdam - Monnickendam - Volendam line From the very first days of film, filmmakers were quite interested in unique communities with unusual dressing styl...
Paul Wegener
Dita Parlo, Gustav Fröhlich
"Der Golem, wie er in die Welt kam" (1920)
Szene aus "Der rote Baron"
Still from "Heimkehr"
Szene aus "Der rote Baron"
Paul Wegener, Pola Negri
Still from "Das Liebesbarometer"
Warstat, W.. „Kino und Schule. Von Prof. Dr. A. Sellmann.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 116-117. Der Rezensent sieht die Verwendung von Filmen...
Kriegsecho in der Kinomusik, Der Kinematograph, 411, (1914), S. 18-19. Bericht über die musikalische Untermalung von Kriegsaufnahmen durch die Kinoorchester, die oft als störend empfunden würden.
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...