The hospital ship is at anchor, with other vessels in the far distance. On the bridge a nurse, assisted by a sailor, is handling the wheel.Princess Alexandra Victoria of Schleswig-Holstein, wife of Pr...
I. Medium shot forward along portside of W Class destroyer to HMS Renown - a small boat spins past between the two ships. Medium long shot across fleet anchorage - Iron Duke Class battleships at frame...
(Reel 1) Material from various phases of the Somme offensive without regard for logical or chronological continuity. The film opens with the unloading of supply trains, and soldiers on the march to th...
I. Medium shot, closing on the starboard quarter of an Italian 19 ton, Type 'B' MAS underway at speed, and a passing shot of MAS flotilla steaming in line, the camera vessel proceeding on an opposite ...
Panning medium shot over HMS Walker at anchor with the Forth Bridge in background. Very grey long shot of Forth Bridge with destroyers directly astern of US battleships in the distance - one is Arkans...
I. (Reel 5) Impressionistic to the point of incoherence. Starting with troops disembarking at a harbour. Marching columns, some of them identified: the Devonshire Regiment, some Scots, the Bedfordshir...
The King arrives at Calais and meets various military and civilian dignitaries. He is taken to General Haig's château at Beauquesne where with Haig and the Prince of Wales he meets President Poincar...
The King, in Field Marshal's uniform and unaccompanied by other members of the Royal family, arrives at Calais on HMS Whirlwind on 5 August. Three days later he inspects British and US pilots of RAF 1...
Wide shot of a hospital corridor. Nurse Tonička (actress: Truda Grosslichtová) stands in the middle of the corridor clasping hands with Corporal Bartoněk (actor: Jiří Vondrovič), whose other arm...
Medium shot of several men sitting around a table with a half loaf of bread and a carafe of water. On the left sits Sakař (actor: Jindřich Plachta) with a bandaged neck. To the right sit Vyskočil (...
Wide shot of a corridor. Standing in front of the door to Dr. Šrámek's office are Nurse Mathilde (actress: Adina Mandlová) and Rjepkin (actor: Vladimír Borský) flanked by Austrian military guards...
View of an office. A colonel of the Austrian army (actor: Jaroslav Marvan) and Dr. Šrámek (actor: František Smolík) are standing at a desk. Behind Šrámek are two military guards (on the right, a...
Wide shot of an office. Dr. Šrámek (actor: František Smolík) is sitting at a desk and pointing at another doctor standing on the opposite side of the desk. Rjepkin (actor: Vladimír Borský) is st...
Wide shot of a corridor and a door with a sign indicating "MUDr. Fr. Šrámek." Standing in front of the door are nurse Mathilde (actress: Adina Mandlová), First Lieutenant Liška (actor: František ...
Lieutenant Rjepkin (actor: Vladimír Borský) is lying on a hospital bed in the foreground. Three figures are standing over him: Nurse Mathilde (actor: Adina Mandlová) on the left, and doctors Šrám...
View of a hospital room. In the centre of the image, cadet Severa (actor: Stanislav Strnad) is lying on a bed and hugging his mother (actress: Marie Ptáková), who is sitting next to him. Rjepkin is ...
Die Kommunalisierung, Der Kinematograph, 672, (1919), S. 32-33. Plädoyer gegen die Pläne der Verstaatlichung aller Kinos. Die Verstaatlichung schade nur dem Staat, blähe die Bürokratie unnötig au...
Warstat, W.. „Kino und Schule. Von Prof. Dr. A. Sellmann.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 116-117. Der Rezensent sieht die Verwendung von Filmen...
Kriegsecho in der Kinomusik, Der Kinematograph, 411, (1914), S. 18-19. Bericht über die musikalische Untermalung von Kriegsaufnahmen durch die Kinoorchester, die oft als störend empfunden würden.
R.Genenncher, Der Aufklärungsfilm, Der Kinematograph, 669, (1919), S. 16. Der Aufklärungsfilm habe seine Hochzeit hinter sich. Dem eigentlich hohen und lobenswerten Anliegen des Genres habe es gesch...
Felix, F.. „Die Kinematographie der Töne.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 78-79. Meldung über erste Versuche, Film-und Tonaufnahmen zu sync...