A camping expedition by an uncle and his nephew, showing the do's and don'ts of the countryside code.
il documentario illustra lo svolgimento della giornata in un campeggio
1 - località marittima: insegna di un Camping
2 - tende in un campeggio
3 - passaggio di una mucca vicino alle t...
Jeannie and Mattie are accepted for a seaside holiday camp. One of a series of fund-raising films produced in aid of the Necessitous Children's Holiday Camp Fund.
Made for screening at the 1925 World Educational Congress Edinburgh, the film gives a survey of the educational opportunities offered in Edinburgh from infants up to senior pupils.
A tragicomic tale about the gloomy Connie Nielsen who has been emotionally detached since her father two years earlier committed suicide ¿ on his birthday of all days! Connie's mother, Bodil, has tak...
A pickpocket acts as an inept golfer. Helpful souls become robbed. A female pickpocket turns up. The two pickpockets pick the golfers pockets. But they become disclosed. They try to escape and shoot a...
A short melodrama: the Chinese man Sang Lee takes pity on a white child (Jack). Twenty years later, Jack, now a prominent lawyer, defends his foster father in court from false accusations.
Das erste Feldkino, Der Kinematograph, 421, (1915), S. 24. Bericht über die Eröffnung eines Feldkinos, der aus der Zeitung des 15. Armeekorps zitiert wird.
Daily production report No. 2, 24 June 1959 on the shooting of "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.